Reviews

Pasidaryk Pats

D.F.C. Igreja Quadrangular Do Triângulo Redondo LP

Originally released on CD in 1996, this second album from Brazilian hardcore legends D.F.C. (DISTRITO FEDERAL CAOS) is an exercise in ’80s crossover style that echoes the sentiments of D.R.I. and RATOS DE PORAO in speedy thrashing laced with rapid-fire vocals, but there’s enough melody and breakdowns to keep the music squarely planted in the punk camp. With a penchant for cartoony artwork and parody album covers, D.F.C. seems more interested in issuing their metal-infused ass-whoopings than taking themselves too seriously. There are twenty brief, snappy songs here, and two of them are only four seconds long, making it an ideal soundtrack to any hessian morning routine. Get your day off to a strong start by brushing your teeth while listening to D.F.C. call people “putas.”

Fumist Coaltar LP

FUMIST is a supergroup based in Lyon, known for their seasoned members from HORDUR, CIVILIAN THROWER, LOVGUN, and OVERMARS. Their first album includes fourteen intense, D-beat-infused grindcore tracks with obligatory death metal slow sections that are sure to crush your head. The powerful drumming shines brightly on this album filled with nostalgic moments, creating a unique blend of grinding violence. Featuring both slow and fast movements, this album is a complete banger! Get your smoke on!

Motron Who’ll Stop the Rain LP

The second album from this Motörcharged metal punk band from Varese, Italy featuring various members from PIOGGA NERA, KONTATTO, DEVOID OF THOUGHT, and more. This sounds a lot like if you took the gruff-beyond-gruff vocals from CRUDE SS, distorted them even deeper on the EXTREME NOISE TERROR spectrum, and then set them atop a far more metallic and rock’n’rage-driven crustcore peak, with riffs galore and sharp quick solos all sewn together with tight playing. A little less raw and more polished than their first album Eternal Headache, both in terms of the recording and the songs themselves, the fourteen tracks speed, crush, and rock, culminating in their take on a classic NABAT song. The lyrics are blunt: attacking war, scene problems, cops and the ever-relatable punk needs of drugs and a hangover-killing next-day hair of the dog. All in fun, there’s a wild “if you’re only in it for the lyrics…fuck off” warning on the lyric sheet, which is a wild inversion of the ’80s and ’90s “if you’re only in it for the music, fuck off.” Sadly, it’s hard to fathom where punk has landed in the 21st century—anyone is drawn to it at this point by the lyrics, but perhaps there are still (and more power to them) ancient diehards keeping close monitor from their squat somewhere in Europe, whom modern late stage capitalism has yet to pry loose. It’s an odd warning, like “hey don’t judge us too closely,” but with a crust skeleton riding a motorcycle on the cover next to a beer bottle on a chain. I think the party was clearly stated from the outset, and it meets it in, ahem, (ace of) “spades.” It is a fun, raging, rocking listen.

Hoax / Motron split LP

Split effort coming from Italy with seven tracks per project, including a cover on each side, supported by multi-cooperative DIY labels. Motörcharged dis-punkers to the fullest, with superb cover art of a dystopian family couch for this album. MOTRON is more on the metal punk side of Lemmy’s moon, holding a grip of darker, gloomier tones in their charging, doom-thriving bass lines, mid-paced, rock-solid drums, and deep, angry, guttural vocals confronting almost mirrored guitar sections and minor riffage. Suggested track: “Lack of Shame.” HOAX goes for faster-paced cadences and sickened, steadier vocals, with a more distorted approach in the strings but keeping classical rhythms in their charged situation. Suggested track: “On Your Grave.”

RAN Atrabil​ä​r LP

Fast, crusty hardcore/PV from this Lyon, France band. First off, this record sounds amazing. Recorded and mixed by the band, these fourteen songs sound so nasty, so heavy and distorted, that you’ll immediately know if this is for you. RAN’s sound is so good: syncopated drums that frequently lurch into breathless blastbeats, super heavy bass tones, thick guitars that skew dissonant, and screams. While this is a punk record, there is enough chugging and chaos here to appeal to mathcore and death metal fans, too. Every song rips hard, and I especially like “Why Don’t You Stick Your Head Up Your Ass…See If It Fits” for its ridiculous title, and “Funky Crusty Rambling” for the classic ’50s-style rock’n’roll riff that starts it off. Actually, I recommend you just press play and then repeat it as soon as it ends. Highly recommended.

Attaktix / Stranguliatorius split LP

How often do you get the chance to review a split record between two bands from Vilnius? In fact, depending on how attentive you were during geography class, you may even have to quickly check Wikipedia just to be sure. I don’t know much about the current Lithuanian DIY punk scene, but I am always eager to learn in order to shine at dinner parties, so this split LP comes properly handy. I am usually a little scared upon reading the “grind” tag when it comes to bands’ descriptions, because I am not exactly a grindcore lover, especially if it gets technical, but ATTAKTIX is really good. I was a little skeptical at first hearing the blastbeat moments, but in the end, I think it does not distract because they are not overwhelming. If the grindcore influence is obvious (even in terms of production), ATTAKTIX resides on the metallic käng side of the river. They are heavy with a perfect guitar tone, really tight but still very much hardcore punk which makes them sound wild and angry. I am reminded of the potent, relentless vibe of bands like DRILLER KILLER or WOLFPACK, with added blastbeats and a CELTIC FROST influence in terms of grooviness and vocals, not unlike what AKRASIA is up to. The last song, eerier, is brilliant. It’s a win for me. I must confess that I was afraid STRANGULIATORIUS would be totally out of my comfort zone, but I enjoyed their five songs, even though I suck at death metal. Again (and thank fuck for this), the band does not sound all technical and remains on the punk side, although they undeniably belong to the old school death metal category. They sound primitive and filthy and almost grave-like enough to appeal to lovers of metallic crust like myself, with their dirty guitar sound and gruff, guttural vocals. I can picture STRANGULIATORIUS sharing the stage with TERMINAL FILTH or CANCER SPREADING and definitely making sense. Overall, this is a pretty strong record that can be played in a festive environment, especially if you never want to get invited to your in-laws’ again. Recommended.

Toro Bravo Mes Tokia Karta CD

TORO BRAVO ramps things up real high and never lets up, cranking out superb, high-energy Oi! from start to finish. These six cuts are wildly catchy, but not once do I feel them fall into any of the typical “melodic punk” traps—instead, they use cold, sharp, Eastern European sounds to stamp their take on classic UK punk…and lots of hard-ass rock’n’roll. STRASSENJUNGS and ROSE TATTOO and COCKNEY REJECTS come to mind and fuck, this is so damn good.

Toro Bravo Tik į Priekį CD

This Lithuanian band has been playing tight, melodic Oi! since 1997. It’s catchy sing-along fun and I have no idea what they’re saying, but you know it’s positive and non-racist. COCK SPARRER, PETER AND THE TEST TUBE BABIES, and SHAM done all modern and bristle-free. It’s a fun bit of ruck and I’ll probably not listen to it again but that doesn’t mean you shouldn’t. Į sveikatą!