Reviews

Power It Up

Äni(X)Väx Schock und Drama LP

I wanted so badly to like this. On paper, ÄNI(X)VÄX (which is apparently code for “animal vaccination”) are legendary. Birthed from the fertile mid-’80s German punk scene, stories abound of post-gig punks-versus-police street fights, and something referred to as the “Odeon Pizza Battle of 1988.” Sick! Despite appearances on a handful of comps, they were unable to release any records during their five-year lifespan. That gives them mystique. One of their guitar players is named Fast Gonzo! What’s not to like!? Cue the first song…of the thirteen tracks on Schock und Drama, six are studio recordings and seven are live takes from various shows. Obviously, the sound quality is not going to be the best on some of the live tunes. That’s not the issue. What it really boils down to is that the songs are just not that interesting. It’s your basic four-chord, mid-tempo boilerplate punk. Sloppy but lacking chaos, the tracks overstay their welcome by being too repetitive. The vocalist has an uninspired sing-the-riff delivery that doesn’t hold my attention the way that the pictures and stories of the band do. To be fair, nothing here is egregious or even bad, but the mediocrity makes the disappointment somehow worse. ÄNI(X)VÄX, as represented here, just doesn’t compare to the heavyweights of the era. If you are interested in Deutschpunk, check out VORKRIEGSJUGEND’s excellent 1983 EP Heute Spass, Morgen Tod, INFERNO’s The Son of God EP from ’85, or the Let’s Have More Fun compilation on which ÄNI(X)VÄX appears. As a historical document, Schock und Drama is quite fascinating. I’m glad that it exists. It’s just a shame that the music falls short.

Cluster Bomb Unit Abgesang LP

D-beat raw crust stalwarts CLUSTER BOMB UNIT return with a new LP, after churning out distorted chaos since the late ’80s. I have a few records by CLUSTER BOMB UNIT, including a 10” and some EPs, but I think this is the first full-length I’ve listened to by them. Anyway, I was not familiar with their new vocalist Julia, and they kill it. At one point on the opening track, their vocal harshness blends seamlessly into a bombarding guitar solo. This happened a few times on the album—vocals melding into and sounding like a screeching guitar. This EP sounds eerie and off-kilter. The snare is high and tight, almost like CRASS, while the strings buzz à la CONFUSE. The overall tempo is like meets KURO and STATE OF FEAR. Grim riffs and singed solos, as you’d come to expect. This return LP stands out with primitive flair; slight stumbles and organic flowing make it punker than ever. Raw clamor and a grumbling Dis-onslaught with some hits of prog noise between the verses. Fifteen tracks of ear-melting punk racket. For fans of LEBENDEN TOTEN and CLUSTER BOMB UNIT over the decades.

Dødsdømt 1989—2019 LP

I’m no expert on the Norwegian hardcore scene, but this band is absolutely fierce. They released a 7″ in 1994 and disintegrated almost immediately. But they had the very good idea to get back together in 2016 and since that time they have released two more 7″s, Deg Allein and Dine Siste Tanker, only available in small quantities in their home country. This is the first time these songs are available to the whole world in the form of a full LP. Excellent crust punk, dense and accurate, without solos and never veering into metal territories; it even reminds me of the ’90s Basque Country hardcore scene.