Refreshingly unselfconscious punk songs in the tough but not-totally-not-silly style of bands like FILTH, and vocals that sound like the woman singer in DIRT. The whole thing is in French, but the band is from Cleveland. Fast enough for hardcore and fun enough for punk, this is pretty much a raging circle pit on vinyl. While nobody can argue that punk isn’t repeating itself, this record suggests that it’s getting better and better as it mutates.
The initial reference to “the Mission” and the fact that the car on the cover has California plates made me think that this dude (or this band) is a San Francisco thing., but it looks like it’s a Cleveland thing. Maybe. It’s all very easy to listen to. Catchy and going along at a very nice tempo, the male/female vocals are almost soothing. It’s perfect for the jangly and poppy backdrop. Reminds me of FROM BUBBLEGUM TO SKY. Really great pop music.
Drug-induced garage and/or bedroom rock brilliance from Ohio’s VOIDBOYS, fronted alternately by Ricky Hell and/or Ricky Hamilton (who are most assuredly not the same people…unless they are). Why is the lead instrument in “I Luv It” a clarinet? This is just one of the (many) questions that you will have after listening to this banger—but mostly you’ll be asking “where can I get more?” Several of these tracks are from the Killed By Ricky tape that most of us will never own, an indescribable collision of dream pop and infectious two-chord punk and a laser-sharp focus on a good hook. CHROME meets ROKY ERICKSON meets the SPITS. There, I said it.
The name might make you think this is some cheeky throwback act, but RICKY HELL AND THE VOIDBOYS is delightfully weird, smothering melodic pop in piles of scuzz and skronk. Tracks like “Strychnine” shine by marrying shoegaze-adjacent tones (think Methodrone-era BRIAN JONESTOWN MASSACRE) with hyperactive synth cross chatter. What really makes me stand to attention here, though, is the restraint. RICKY’s voice barely comes up past a whisper, a calm center to a storm of psychedelic layers of sound that manage to stay cohesive throughout. Each track is heartfelt and often gorgeous, but never without being daringly its own beast. Try out “Alaska,” replete with clarinet and glockenspiel, and hear what fuzzy guitar pop music should always sound like.
