Reviews

Romantic Songs

Colère Unleashed LP

Hailing from Belgium is COLÈRE, with a pretty strong LP release in the form of Unleashed. I think it’s pretty cool—strong D-beat influence on some American-style hardcore punk tunes. Not quite as dirty as I think it should be, but overall I like it quite a lot. Usually I find covers on full-length releases as largely pointless, but they do a version of “Face to Face” by the FAITH that I think is pretty cool and they put their own spin on it. Their own tunes ain’t half bad, either. Not an album I’d necessarily go nuts over, but a pretty cool listen overall and I’d recommend it.

Days of Desolation Circles LP

Titan riffs coming through from Belgium’s DAYS OF DESOLATION. DAYS OF DESOLATION play hyper-blast grinding crust as a three-piece, with morose chords beneath the fury. Cacophonous synth subtleties are dispersed within the tracks and sound squeamishly off-putting with ominous dread. This is quite technical with all the grit of classic crust. Thinking NASUM, GADGET, SNIFTER, early INSISION, or more recently, SAYYADINA, D.E.R., P.L.F., or GRUELING SENTENCE. A fine mix of prog ambiance and pulverizing grindcore with nodes of death metal and crust. DAYS OF DESOLATION tether between exhausting blasts and well-composed passages that grab you by the throat. I admit I sort of lost touch with this style of crust-grind, but DAYS OF DESOLATION have my eyes bulging out with attention. With songs titles such as “King of Pikes,” “Autumn,” “Your Prerogative,” and “Hypersleep,” I feel like I will grow to give this one a much deeper connective listen over the coming months. A definite for manic grind blasters that like their crust extra heavy and their death extra fast. I also have learned DAYS OF DESOLATION are on the CAPITALIST CASUALTIES tribute album, so that rules. Circles is their first LP after an EP, and it slays.

Do It Your Hell Restos Del Kaos EP

The cover features a punk zombie with S.O.B., CARCASS GRINDER, P.L.F., and DENAK patches on its decaying jacket. For any grindcore aficionado, these are some essential influences for a band to have. These dudes don’t joke around! It  sounds as brutal as a freight train going through a crowded mall. Vicious crust-infused grindcore from Madrid with members of a ton of great bands, but especially DENAK, a classic grindcore outfit that started in 1994. Extreme music for extreme people.

Gu Destinati Alla Matanza 12″

Mentioning Italian hardcore over dinner will always get my attention away from the food, as I have been a sucker for the genre since I grabbed a homemade tape of WRETCHED’s discography sometime in the early ’00s (how I remember this precise moment but not what I did yesterday always amazes me). The Italian language is undeniably a great language for furious hardcore punk, as it allows the singer to engage in that kind of fast-paced, rapid-fire lyrical flow while still keeping the anger level high and in-your-face. I was expecting GU to belong to that old school hardcore department, but they do not really, although at times I can find some delicious traces of classic Italian hardcore in their music. I would argue that GU is a hardcore band with lyrics in Italian (they are from Amsterdam, actually), rather than an Italian hardcore band (speaking in terms of genre, not nationality). Know what I mean? It is all a bit modern-sounding to me, I am afraid, with some metallic breakdowns and an overall clean production. I like some of the faster, more direct songs, but other numbers confuse me a little and I end up not understanding what they aim at achieving. It is well-executed enough, sincere, and has versatility, just not my thing—but I was able to listen to the whole of Destinati Alla Mattanza thanks to the strong female vocals, angry but clear with a snottiness to them.

Mass Extinction Never Ending Holocaust LP

This lot is serious, dead serious. It might just be an impression, but I feel that fewer bands sing about animal rights and the horror of slaughterhouses these days, while the topic was very popular back in the ’90s and ’00s. It sounds a little paradoxical, since more and more people these days question the meat industry and challenge conventional diets by going vegetarian or vegan, or calling their parents cruel murderers at dinner. The growing presence of the issue in the mainstream may have impacted its prevalence in traditional punk discourses: since it is in the mainstream, why bother dealing with it in our lyrics? Or is it just taken for granted nowadays, whereas it was still something of an oddity a few decades ago? Do punks still even care? I would think so—after all, vegan food is highly Instagrammable, which seems to matter a lot. But MASS EXTINCTION still cares about this important topic. A lot. These two brothers (they use a drum machine) are rightfully angry at all the abuse animals suffer at the hands of humankind, and to protest this systemic oppression, the band chose the most furious style there is in the punk universe: gruff, dual-vocal grinding crustcore. The sonic and political tradition that MASS EXTINCTION belongs to is old and obvious, namely EXTREME NOISE TERROR and DISRUPT, but with a significant grindcore influence, pretty much like a militant vegan version of MASSGRAVE. Beside the very apt songwriting, the anger and outrage on this recording are genuine, and that’s what makes it work so well. The band even manages to make you forget that they use a drum machine. Never Ending Holocaust was first released on tape in 2020, but it was just too good not to enjoy a vinyl release.