Reviews

SDZ

Leopardo Malcantone LP

I picture LEOPARDO being some kind of hippy, freeform communal group. Their music is an eclectic collection of styles. There’s the usual instrumentation—guitars, bass, drums—but also banjo, synths, percussion, drum machine. It gives you a feel of people just bringing whatever they want to the group and seeing what happens. Yet, this record still seems cohesive. There’s poppy songs. There’s psychedelic songs. Some are slow. Some are upbeat. It’s a record for listening while lying down.

Silicone Values How to Survive When People Don’t Like You and You Don’t Like Them LP

Hook-laden synth punk that doesn’t shy away from embracing a melody and juxtaposing the sweetness with some seriously bleak lyrical content. Appropriately lo-fi, How to Survive When People Don’t Like You and You Don’t Like Them compiles a series of disparate online releases and commits them to vinyl, courtesy of Parisian label SDZ. SILICONE VALUES pull off the rare feat of making their songs feel monumental and understated all at once. Harkening back to the seminal acts of first-gen post-punk, the Bristol collective shakes out fifteen cuts that would make STEVE TREATMENT blush. Like a more restrained SWELL MAPS or a more agitated TELEVISION PERSONALITIES? Yeah, SILICONE VALUES paint from the same palette, but the rendering is stark and defoliated. Despite the references this collection doesn’t sound dated. More the product of timeless influences piped through the damage of a depressingly modern world, executed with incisive wit and off-the-cuff charm. The limited pressing of 200 copies worldwide may make this hard to come by, but easily worth the effort to track down.

The Sheaves A Salve for Institution LP

Parisian label SDZ teams up with the fledgling Brooklyn label Dot Dash Sounds to bring us the second full-length from this five-piece out of Phoenix that shares at least a couple of members with the prolific noise rock outfit SOFT SHOULDER. The LP is composed of eleven two-ish-minute vignettes that can roughly be categorized as DIY post-punk or jangly lo-fi indie rock. You get stuff that sounds like early FALL playing the VELVET UNDERGROUND’s “The Gift,” SWELL MAPS locking into the loosest krautrock groove, some indistinct blend of GBV/BUILT TO SPILL/SEBADOH, or—as with my favorite track on the record (and one of my favorite tracks of the year), “In Center (X-Static)”—a shit-hot mix of, like, CRIME’s “Terminal Boredom” and the extraterrestrial buzz punk of CHROME’s “TV as Eyes.” But the whole record has this sun-bleached and sandblasted quality, like it was recorded after the band was forced to wander the Sonoran Desert for a week. The vocals, which often sound like someone doing a stuffy-nosed Mark E. Smith impression, are so odd and loosely multi-tracked at times that it makes you feel a little delirious. Real strange, but also real great!