Reviews – MAXIMUM ROCKNROLL

Cupid and the Stupids 99 Ways to Fix a Broken Heart cassette

Spared Flesh continues their hot streak with a new cassette from this seven-piece Byron Bay outfit—fourteen tracks of loose, lo-fi jams recorded straight to four-track in a riverside shed. The release copy describes this as “cute-core” and “Broadway punk‘n’roll,” which aren’t entirely inaccurate descriptors. But don’t let that scare you off! The music here is way less annoying than you might be imagining. Really, this is more the sound of a group of friends having a great time making music—the end result might be cute, but it doesn’t come off as by design. The tunes themselves bounce around the lo-fi landscape—depending on the track, you might hear a little Flying Nun or Elephant 6 or Rip Off Records. To get a good sense of the variety here, I’d recommend listening to one of the gentler tracks, like “Burn the Mattress,” then flipping over to the absolute scorcher “Heartbreak Motel.” If neither floats your boat, this release likely isn’t for you…and maybe your broken heart ain’t worth fixing.

Ex-White This is Future LP

If you had told me this band came from the late ’80s/early ’90s Chicago punk scene, I wouldn’t have doubted you for a second. Hailing from Germany, EX-WHITE’S first full-length ranges from dance-driven post-punk to raw, Midwestern melodic hardcore similar to NAKED RAYGUN and LEATHERFACE. Very much in line with some of the classic No Idea bands. I can’t lie, there’s a little bit of AC/DC thrown in here as well, especially on the titular track. Catchy as all hell, and released at the right time. This is a summer jam right here, folks. Give it a spin, you won’t be disappointed.

Gage Maurie A Compilation (In No Particular Order) cassette

I alluded to this in the last review I did for the label, but it bears repeating. Spared Flesh rules! If for some reason you’ve been sleeping on them, it’s time to wake the hell up! Everything that dude has put out has been compelling (at the very least) to great. And this release is no exception. This time he’s serving up the first two demos (with the track lists reordered—hence the title) from Portland artist GAGE MAURIE, whom you may know as the frontman for acts NO KNUCKLE and FIB. It’s real good—fifteen tracks of lo-fi bedroom musings that touch on anything from slacker rock to the contemporary punk herky-jerk of the URANIUM CLUB or even woozy, Southern-fried psych folk. It reminds a bit of the stuff PRINT HEAD is doing but maybe a bit less noisy and less scattershot. Dig in!

I.L.L.O. 10 Ill Songs cassette

A member of Leipzig’s ONYON goes solo, and while my patience for home recording projects of this ilk (loopy, lo-fi punk replete with drum machine) has worn extremely thin over the last several years, I.L.L.O.’s take on the form actually offers a focused and tightened-up counterpoint to ONYON’s neo-new wave garage warblings, which I’ve often found to be frustratingly flat. Threadbare, wiry guitar hits the target a few rings removed from a PETTICOATS bullseye—the intro to “Summoning” is an especially blatant “Normal” fake-out, although any further expectations of detuned DIY clang in that track are quickly dashed in favor of rumpled, lilting bedroom pop of the late ’80s/early ’90s K Records variety—whereas the gentle, falling-apart DIY stumble of “Way of the Shrimp” is more suggestive of a post-egg-punk MARINE GIRLS (is that a recorder solo?!), and “The End is Coming” and “The Unknown” have the sort of coolly minimal art-punk jitteriness I’ll always welcome, thankfully much more COME ON than CONEHEADS. Nothing on 10 Ill Songs is going to set the world on fire, but that hardly seems to be the point of it anyway.

Slimex Slimex demo cassette

Portland robo-punk for fans of ERIK NERVOUS and RESEARCH REACTOR CORPORATION. “Big Drag” is an absolute winner. It sounds like the SPITS, with classic catchy rock’n’roll melodies layered in keyboards set on the flute setting. I just listened to it three times in a row. “Blood Circus” is more synth-heavy with jerky rhythms that bring to mind our lords and saviors of this type of shit, DEVO. “No Clue” is another solid tune with heavy vocal reverb. No clue pertains to the lyrics too, since they are echoed beyond comprehension, but it doesn’t really matter because it sounds good. “Pressure” breaks off the reverb knob on the vocals, all delivered over manic keys and bass. We’re talking Baby Jessica-down-the-well levels of echo, but it fits well here. Cool band with a great name and killer opening track. Recommended. Also, if you like this brand of lo-fi synth punk, check out Richter Scale’s other releases—they have as many releases as you have buttons on your broken Casiotone.

Slimex Easy Money cassette

SLIMEX returns with an absolutely killer studio recording, the follow-up to their well-received four-song demo from last year, available on a lathe-cut 7” or cassette, the latter which I am listening to now (and for the foreseeable future). This is just incredible. Bouncy, jangly, weirdo synth-heavy punk. I refuse to cheapen this release by throwing an “egg” at the front of their descriptive term. This is for anyone and everyone who cares about new wave, synth punk, etc.

Society All Flies Go to Hell cassette

Maybe it’s just my own personal obsession, but I sensed VELVET UNDERGROUND worship in this and I’m not mad about it. I’m sure there’s other earmarked influences in this, but my ear is catching Matrix Tapes-era but with Bob Quine’s tape recorder, except it was recorded in a living room in 2022 and the four-track is broken (at their own admission). It’s audible especially in the final track as you hear it reel its last, but the crackle of analog death adds a certain charm of imperfection to the whole thing. It’s an additional layer to the double-time guitar, thumpy dead string bass, and drums that sound like those kid’s kits with the paper heads. Each song is maxed out at 1:30, so you’ll be in and out with it in less than ten minutes. It’s econo, it’s budget; they call it “dunce,” but it’s certainly not dim. “Piss Grave” and its bouncy bassline is a standout from the bunch.

Society Social Flies cassette

Strictly speaking, I am not sure what to think of the name of this band. It is either clever and intriguing enough to entice the curious listener, or just embarrassing, too arty for its own good, and a bit snobbish. But then what do I know, I actually think PINK TURDS IN SPACE is a good name. In any case, I think the moniker works in this particular instance. SOCIETY is a one-man project from Philadelphia (the brain behind it also plays in MESH, thanks Discogs for the support), and Social Flies is its second tape. Like all solo projects, Social Flies has its own cohesive personal dynamics, and utterly reflects with accuracy the creator’s intent and vision. It is often a tricky exercise, and you cannot get away with a bad song by blaming the bass player as one often does. SOCIETY’s music is very lo-fi and purposeful and tends to have an ’80s avant-garde feel, which is something I am always a little suspicious about. It sounds pretty free, rather original even from my perspective. The music has a minimalistic feel and, with some songs openly borrowing those typical tribal beats, I am reminded of anarcho-punk demos from the ’80s from ZOUNDS or the EPILEPTICS, as well as the more experimental and versatile bands like the APOSTLES and the EX or even, indeed, early CHUMBAWAMBA. The primitive sound certainly confers an old-school vibe and, were it not for the vocal delivery and some arrangements pointing to inspired modern American bands like STRAW MAN ARMY (they are listed as influences for good reasons), I could have been tricked into believing that Social Flies is an unreleased All the Madmen tape. However, the cover is hideous, and I cannot see the connection with the carefully crafted, deceptively simple music. Other than that, give SOCIETY a go if you are curious or just open-minded.

The Gobs 1-2-3-4! cassette

Straight outta rockin’ Olympia, we get this collection of the first four demos (hence the title, get it?) of this synthy, catchy pogo party band that’s forever going to suffer the SPITS comparison. I tried to find some live footage or something to give them a personality of their own as they definitely deserve it. They’re like a nicer SPITS that you’d take to your mom’s house, and with all the same influences like the NUBS, DEVO, RAMONES, etc. (but maybe if they’d never listened to GG). It’s really a great tape and very much worthy of your time, though. Hope they make it to NYC someday. Good work.

Toe Ring Footage cassette

Up-and-coming cassette label Spared Flesh brings us four tracks from a new Philly-based recording project featuring MESH’s Sims Hardin and Leslie Burnette of JUICE and LOUIE LOUIE. Opening track “This is the End” should please anyone who came to this project as a fan of MESH—it’s pretty much the same sharp, garage-y post-punk that those guys peddle, only this track has Leslie on vocals. The remaining three tracks are more atmospheric and share a lot of the same DNA with contemporary post-punk bands the WORLD or NAKED ROOMMATE. But this duo’s take on that stripped-down dubby sound is a much lower-fi affair, and where those aforementioned acts get funky or dancy, TOE RING gets punky or weird. The backbone of tracks “Repeller” and “Collapsed Mine” is a looser version of the same driving beat you get on the opening track, but it’s accompanied by a bass that sounds like its strings are about to come completely unspooled. And the guitar is either completely absent—replaced with odd keyboard bleeps and blorps—or comes in sparingly as harsh echoic stabs, while the vocals just kind of float around in the ether. It’s all really cool stuff! But I think the most interesting track on the release is “Staring at the Sunn”. It sounds not unlike a stoner/doom metal track stripped down to just the bass and drums, but the production on the vocals and the synth-y atmospherics reminds me of trip hop. The overall vibe is still very post-punk—it’s just a neat way of getting there. Let’s hope we get more from these two!

V/A If, When & With Whom cassette

Great compilation for a great cause, with all proceeds benefiting the National Network of Abortion Funds. Wide range of genres here, spanning ’90s alternative radio worship to West Coast garage rock to lo-fi bedroom pop. Hell, there are even a couple vaporwave-fused synth-funk tracks as well. There’s something for everyone here. Heavily recommended release, both for the music and the mission. At this point, all we can do is look out for each other and help wherever we can.