Twelve Cubic Feet Straight Out the Fridge LP
Originally released as a 10” in 1982, Straight Out the Fridge is as succinct and perfect a representation of early ’80s UK DIY as you’re likely to find this side of a Messthetics CD-R: spiky enough to serve as a logical successor to the golden age of Rough Trade art-punk, sweet (but not saccharine) enough to lay down the initial bricks of a (wanna buy a) bridge to the jangly bash of C86. Sally Andrews’s chirpy vocals are the most obvious element connecting TWELVE CUBIC FEET to their proto-indie pop contemporaries like GIRLS AT OUR BEST! and DOLLY MIXTURE, bursting with giddy enthusiasm over the junkshop disco beats and bubbly keys of “Blob” and switching from breathless shouts to dreamy, sugar-coated melodies amidst the dark, moody swirl of “Mary’s Got the Bug.” Bassist Matthew Vosbergh takes the lead on “Escaping Again,” which slowly unwinds with a looping throb of post-punk bass and the otherworldly homespun minimal wave atmosphere of his SOLID SPACE project, before crashing into an pseudo-mod rave-up with Sally’s ecstatic backing harmonies and lilting keyboards, while the mind-bendingly hooky chorus of “Hello Howard” is borderline new wave in its synth-forward warble—it’s not difficult at all to imagine it being a ridiculous hit in a world less stacked against DIY pop oddballs. If you weren’t already a TWELVE CUBIC FEET believer, you can (and will) be one now.