Reviews

Emergence

B.Polar and the Spacefuckers We Not Come in Peace EP

Ah shit! Usually when we get cover art containing a dystopian robot scene it almost always sounds like a third-tier MAN OR ASTROMAN?, or some dumbfucks who think they sound like DEVO (they never do). B.POLAR AND THE SPACEFUCKERS sound like fuckin’ punk and hardcore, though. Dude is screaming his head off about enslaving the humans, crop circles, the emotionless void of a robot brain, and getting the fucking Alpha Centauri skinheads off of your planet!! The backup vocals sound robotic, and the songs have some weird changes in them to keep it interesting throughout. Definitely a surprise and a rager.

Bain de Sang Sacrificed for a Load of Filth and Lies LP

This LP opens up with pulverizing, blackened, downturned rippage reminiscent of UNRUH meets AT THE GATES, MISERY INDEX, INSISION, and SKITSYSTEM. BAIN DE SANG of Paris plays intensely tight grindcore with galloping precision while locking up crust-inspired riffs and brutal black metal grimness. At times slightly screeching, BAIN DE SANG always seems to pull back into the realm of hardcore at just the right moment. Powerful rhythms undercut the complete onslaught of technical modern grind. Bestial dark deathcore breakdowns punctuate where necessary, and thrash momentum opens up the cover of “Warsaw”—previous to this track, my favorite homage was done by SWING KIDS. This one brings such smoldering, depressive merit to covering songs. Self-described powerviolence; I wouldn’t go there at all, personally. This is from a warmer place, for lack of a better word. Damn fine French grindcore album.

Carbur Action Woman EP

CARBUR is a French band playing garage-y rock’n’roll in a heavy, macho style. You can’t go wrong with covering “Action Woman” and they don’t. It’s a good version. The other three songs have that metal-y hard rock sound that gearheads enjoy. I assume that’s why they are called CARBUR. This 7″ was released in 2019.

Cemented Minds Colostrum 10″

There is no doubt that hardcore punk is a very malleable genre and bands can slowly venture into other sub-genres as time moves along. Loads of hardcore bands slow down on the aggression and tune into their emotions overtime. Hailing from France, CEMENTED MINDS have within their ranks hardcore punk musicians from bands like AMANDA WOODWARD, NINE ELEVEN, and AUSSITOT MORT, but on this project they went into a post-punk mode. Colostrum is their five-song debut, a collage of post-punk melancholia that still retains much of the hardcore energy and can very well please any fan of the aforementioned bands and post-punks alike.

Device Anthology 1997-2000 CD

These thirteen songs encapsulate the entirety of this French hardcore band’s existence: including a demo, two split EPs and a CDEP. A trip through the fliers on the inner sleeve might make for some good insight into their sound: HATEBREED, FLOORPUNCH, BLOOD FOR BLOOD, BLOODLET, FOUR HUNDRED YEARS, and MILEMARKER. Well, those last two make no sense, but whatever. They mostly stick to some real normal sounding tough guy hardcore, with bits and pieces leaning toward an EARTH CRISIS type metal guitar, and little hits at emotional hardcore (“Long Day” has these long emotional parts that are the real winner here). The sound is unfortunately not so great all around, with the demo being a particularly rough listen. It’s also a bit hard to believe that they printed the lyrics, as some of them sound like childish rantings.

Ed Warner Ruins of Nations LP

Twelve anxious doses that span a crevasse between early ’00s colossal crust and an indescribably awesome hardcore lurch. Makes me think of the NOW DENIAL…or maybe just some modern kids simultaneously harnessing anthemic core and honest intensity. Fans of fast and/or heavy and/or intense hardcore will want to pay attention here, because France’s ED WARNER ticks off literally every box.

Genital Juggling / Jodie Faster split LP

Don’t judge a book by its cover, lesson one: this fukkn record. The stupid cartoon claymation cover would turn most punks off before they even saw the band names, and I confess that I never would have given this slab a second thought if it were not my punk duty to do so. And holy shit did I eat my thoughts as soon as JODIE FASTER started cranking through five absolute rippers that sound like nothing at all except (apparently) JODIE FASTER. A raw drum attack that reminds me of RUDIMENTS, a penchant for don’t-give-a-fuck combined with serious chops à la SCHLONG, open chord clean guitars like JASPER THREAD, and an overall purity in their ferocity that I haven’t heard since I saw ROLEX last year. I didn’t want to turn the record over. But I did. And GENITAL JUGGLING delivered the same energy on the flip—just as much irreverence in their song construction, but with a SoCal hardcore tinge, and aggression replacing the quirk on the A-side. Listen to all of the records, punks—even the ones you think aren’t up to whatever your bullshit “standards” are—because chances are good that you are wrong. This record is definitely right.

Kochise / Les Partisans Live split cassette

Split cassette featuring French punk bands KOCHISE and LES PARTISANS. Both sets were recorded live at the Le Foch bar in Chaumont, France, on May 17th, 1996, at a gig both bands played together. KOCHISE was a French anarcho-punk band originally formed in 1987 who even did a split with CONFLICT at one point. The recording on this is a bit muddy and warbly, but it’s hard to tell if it’s an issue with the tape duplication or if the original live recording sounds that way. LES PARTISANS, not to be confused with classic UK82 punk band the PARTISANS, formed in 1994 and I believe are still a band to this day. They play mid-tempo street punk/Oi! and have ska elements with a horn section sporadically squonking along with the catchy melodies. This side of the tape sounds much clearer and seems like a good representation of the band. A cool idea, solid-looking packaging, and nice documentation of a classic gig from the past.

Naatlo Sutila Naatlo Sutila LP

NAATLO SUTILA is a hardcore band from Bordeaux, but rather than playing straightforward hardcore, they decided to mix their old school sound with deathrock and anarcho-punk. The outcome fucking rocks. From the opening drumbeat and bass chug of “Voices” to the thrashing speed of “Hell” and all the way to the end of the CRASS-like feeling of “Revolution,” NAATLO SUTILA presents a romp of a self-titled album. As a three-piece, it’s amazing the power this trio is able to generate and deliver. If you get a chance, definitely give this one a listen.

Night Vision The After LP

The musical “Intro” of this release sounds like the opening credits for the cheesiest ’80s slasher film, and then the thrash starts. This French band clearly loves the ’80s, because of the occasional samples and weird synth interludes between tracks. They vacillate between hardcore and thrash effortlessly. “Shower,” in particular, is reminiscent of early SUICIDAL TENDENCIES. Other tracks feel more like D.R.I. and fellow Europeans CRIPPLED FOX. Lots of great thrash coming out of Europe lately. Every track is tight, fast, and  clocks in under two minutes, perfect to skate or slam to.

Pedigree Connected? 12″

Coming through with a sound akin to EX-CULT on Valium, PEDIGREE has unleashed a monster of an EP upon the unsuspecting public. Beyond its loud and fuzzy post-punk exterior, this is complex music with a real cinematic quality to it. Each song is almost like its own little movie, conjuring up jittery images of frantic electricity webbing bleak dystopian landscapes. These tunes expand and contort in surprising and impressive ways as they unfold, like the awesome little bit of “Miserlou”-esque guitar play on “Blank Page” and the continuous escalation into madness witnessed on closer “The Nomad.” It’s strong stuff. Put this on and see where it takes you.

Aghast / Tekken split 12″

Not to be confused with the two splits these bands have released previously, this one-sided 12″ captures the final recordings from two (extremely) prolific French emo/HC bands who were active throughout the ’00s. AGHAST covers the epic and melodic with anguished vocals department, while TEKKEN takes care of the more chaotic and aggressive Euro HC side of things, blasting their way through a breathless “Porque Todo Tiene Fine” to close the record. Seven tracks total, and limited to just 100 copies—because when it means enough, it’s worth putting it to wax.

Trashley Joyful Angst LP

Electroclash dance punk from Paris that keeps the guitar, bass, and drums high in the mix, and doesn’t stray too far into the electro end of the spectrum. Impassioned group vocals and melodic riffs bring to mind the chaos of early ’00s synth punk. Lyrics in English that sound cool, but don’t totally make sense. Probably pretty incredible to see this band live, if they keep up even half the energy level of this recording.

Uraken Perfection EP

France’s URAKEN serve up a heavy mix of hardcore, crust, sludge, and powerviolence that is reminiscent of some of Southern Lord’s faster acts on this reissue of their 2017 demo. While none of their style is particularly new or innovative (anyone else remember when it seemed like every other band was crust-infused?) it is varied and punishing enough to avoid a monotonous listen.

V/A Peace, Unity, Noise And Having Fun: Tekken Tribute & Remixes LP

So this compilation LP is apparently a tribute to the French fastcore band TEKKEN. I regret to announce I was not familiar with TEKKEN the band, but it looks as though they were around in the late ’90s and early ’00s, and with some video research, I have realized that they were pretty good! If you like to blast off with CHARLES BRONSON, SPAZZ, DAMNABLE EXCITE ZOMBIES, AGATHOCLES, or even FANTOMAS, or any bands that were forming when fastcore was really breaking into its stride, I have this recommendation for you! There’s also some really bizarre MIDI carnival music, which I must admit I am entertained by, if not perplexed.

Verbal Razors By Thunder and Lightning LP

I find it really hard to take this sort of thing seriously. It just reminds me of shit like MUNICIPAL WASTE, drunken idiots in sleeveless denim, sordidly becoming caricatures of the aging thrashers of yesteryear. It just doesn’t manage to capture the grit and nastiness that the forefathers of the genre (SLAYER, VIO-LENCE, etc.) managed to radiate. It’s a shame in a way, because bands like this are always more than technically proficient, I guess proving again that just being decent at your guitar doesn’t necessarily make a decent thrash record.